Concept
Within the framework of the NUDO ’25 experimental poetry festival, I presented this abstract audiovisual piece, designed specifically for an immersive room. Created in partnership with Virginia Rey, the project stems from an existential premise: the saturation of tomorrow.
The concept seeks to materialize “noise” not only as an acoustic phenomenon but as a mental and global state. Through dense visual textures and an enveloping sound atmosphere, the piece plunges the viewer into the uncertainty of a future that feels increasingly noisy and overwhelming.
The Experience
As the projected world becomes progressively thunderous and chaotic, the visual narrative guides the viewer toward a single physical and real certainty: their own breath. It is an exercise in contrast where the macro (the noise of the world) surrenders to the micro (the internal vital rhythm).
Purpose: To act as a radical meditation in times of overstimulation.
Aesthetics: Use of organic and abstract textures to create a sense of weight and depth.
Atmosphere: A soundscape that evolves from the tension of “noise” toward a space of poetic introspection.
Visual & Materiality
The piece presents a sensory confrontation. The projected world evolves from growing visual tension to a moment of radical introspection. The heart of the work lies in its deep exploration of texture and the materiality of the image. This is not a “clean” video; it is a tactile experience defined by its sense of weight.
The image is saturated with a thick, dense grain that provides a certain “grittiness.” This texture visually represents the sense of chaos and disorder that defines “the noise of the future.” Shapes are not sharp; they merge, erode, and vibrate, giving the impression of matter in decay or constant transformation.
This aesthetic approach turns “noise” into something almost tangible, making the search for breath a physical necessity rather than just a poetic concept.
